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Mozart 16 Sonatas

MOZART 16 SONATAS FOR VIOLIN AND PIANO

Official release February 2nd, 2018

Kurfürstin Sonatas

Sonata in G major, op. I, KV 301 (293a)

Sonata in E flat major, op. I, KV 302 (293b)

Sonata in C major, op. I, KV 303 (293c)

Sonata in e minor, op. I, KV 304 (300c)

Sonata in A major, op. I, KV 305 (293d)

Sonata in D major, op. I, KV 306 (300l)

Aurnhammer Sonatas

Sonata in C major, op. II, KV 296

Sonata in F major, op. II, KV 376 (374d)

Sonata in F major, op. II, KV 377 (374e)

Sonata in B flat major, op. II, KV 378 (317d)

Sonata in G major, op. II, KV 379 (373a)

Sonata in E flat major, op. II, KV 380 (374f)

Later Viennese Sonatas

Sonata in B flat major, KV 454

Sonata in E flat major, KV 481

Sonata in A major, KV 526

Sonata in F major, KV 547

Booklet Notes

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“
another outstanding solo disc on Bach The Six Suites…Cotik’s customary details and insightful booklet essay adds to a fascinating release.
The WholeNote
“
Comparisons are inevitable; on my shelves are the Grumiaux- Haskil team, the Stern-Barenboim combination, Szymon Goldberg and Radu Lupu, and Zukerman and Neikrug readings. The Cotik-Lin duo can take its place among those earlier esteemed ensembles with heads held high.
STRINGS MAGAZINE
“
His interpretation of Bach’s sonatas and partitas his newest album in should add a notch to his reputation as a stellar violinist
NORTHWEST REVERB
“
The versions are optimal due to the stylistic understanding and the instrumental excellence of the admirable violinist.
REVISTA SCHERZO
“
Bach’s music simply glows under his fingers… a terrific addition for the collection of anyone who loves Bach’s music
Northwest Reverb
“
The comparison of the 4 Seasons with the legendary recording of the Kremerata Baltica and Gidon Kremer is not quite so blatant, but in the end I still prefer the Cotik recording because of its rhythm and its colors, which are more genuine, richer and more finely differentiated than what I hear in the Kremer recordin
Pizzicato
“
…intellectual intensity and fresh characterizations that are akin to violinists like Gidon Kremer, Paul Zukofsky, and Joseph Szigeti at their best. Cotik walks a thin line between trenchant and tenuous that beckons your attention at every moment.
Classics Today
“
With a broad and balanced sound and great technical ability, Cotik displays well-articulated phrases, with mood contrasts, and an individualized treatment…This version of Cotik is exuberant in its beauty and greatly inspired creativity.
Sonograma
“
one comes away from the recording dazzled by Cotik´s musicianship and technique; one is also struck by the agility of his execution, his expert command of tempo and intonation, and his ability to consistently maintain the highest level of performance
TEXTURA
“
Cotik scales Bach’s solo mountain with skill. His intricate yet soulful take is assured without ever being showy.
BBC Magazine